(The final album in a series of 10 albums that shaped my musical taste)
Our own particular brand of Northern Soul, the Roses were. Self-belief in bucketloads, strong instrumental ability and a staggering ambition to make their debut the next ‘Electric Ladyland’ or ‘Never Mind The Bollocks’.
The Roses railed against the pessimism of the post-Smiths years, ignored the London trendsetters, and stood up for what they thought was right in the face of media criticism. They had a sense of purpose rare in established bands, let alone those who are relatively wet behind the ears. They weren’t ‘Madchester‘, to me. Their music was, and is, timeless.
From the opening bass rumble and subsequent guitar chord shower of ‘I Wanna Be Adored’ to the closing wig-out of ‘I Am The Resurrection’, the Stone Roses and producer John Leckie pull together the individual threads of spaced-out dance freaking, psychedelia, folk-rock and situationist lyricism and knit them together into something unique. Music for the head, the heart and the soul.
More than 20 years since The Stone Roses was released, and I’m struggling to think of a more significant musicalÂ event during that time, or a better album. You’ll find a fair few who disagree with that point of view. But when I find fellow believers,Â like-minded souls, The Stone Roses brings us together strongly. Nostalgic, yet forward-looking. Brethren.
Precious few bands can do that.